Jean Marc Nattier
1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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Jean Marc Nattier Madame Marsollier and her Daughter oil painting


Madame Marsollier and her Daughter
1749 Metropolitan Museum of Art, New York
Painting ID::  1029
Jean Marc Nattier
Madame Marsollier and her Daughter
1749 Metropolitan Museum of Art, New York
   
   
     

Jean Marc Nattier Peter I oil painting


Peter I
1717 Oil on canvas The Hermitage, St. Petersburg.
Painting ID::  19619
Jean Marc Nattier
Peter I
1717 Oil on canvas The Hermitage, St. Petersburg.
   
   
     

Jean Marc Nattier Catherine I oil painting


Catherine I
1717 Oil on canvas The Hermitage, St. Petersburg.
Painting ID::  19620
Jean Marc Nattier
Catherine I
1717 Oil on canvas The Hermitage, St. Petersburg.
   
   
     

Jean Marc Nattier A. B. Kurakin oil painting


A. B. Kurakin
1728 Oil on canvas The Hermitage, St. Petersburg.
Painting ID::  19621
Jean Marc Nattier
A. B. Kurakin
1728 Oil on canvas The Hermitage, St. Petersburg.
   
   
     

Jean Marc Nattier Louise-Anne de Bourbon-Cond, called Mlle. de Charolais oil painting


Louise-Anne de Bourbon-Cond, called Mlle. de Charolais
1731 Oil on canvas.
Painting ID::  19622
Jean Marc Nattier
Louise-Anne de Bourbon-Cond, called Mlle. de Charolais
1731 Oil on canvas.
   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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